C2 (North Area, Shenzhen OCT-LOFT, Nanshan District), Dec 2, 2016–Mar 2, 2017
The Third Independent Animation Biennale opened on December 12, 2016 at C2 in Shenzhen’s OCT-LOFT. Compared with the scale of a typical biennale, this independent animation biennale comes across as a little small. In order to make the exhibition look the part, the curator has delineated six areas—for showing art, for lectures, for community activities, and so on—in an attempt to show diversity and distinguish this exhibition from the workings of a regular group exhibition. But over an exhibition period spanning several months, only the “Spatial Animation” component of the biennale, showing in C2, is open to the viewing public of the surrounding neighborhood. “Special screenings” and “Animations and Concerts” take place a ten-minute car ride away from OCT station at Artron Art Center; a “recommended screening” providing a platform for “post-90’s” artists will be shown only at the closing of the exhibition on March 2, 2017 (hastily arriving, hastily departing). As for the “GIF Online Project”, audience members must log onto the internet themselves to view it (the experience is not ideal, as the page loads too slowly). All of this leads to ready disappointment; after viewing the twelve works in C2, one feels there is something lacking, searching in vain for some sign in a corner that would read “more this way.”
The theme of the exhibition is “Time Based / Non-places”. “Time Based” comes from an expression used by many Western art museums today to describe video, film, slides, sound, and other contemporary works of art possessing a “time-based” dimension. This feature manifests itself across the variety of works exhibited. Meanwhile, “non-places” is a term coming from French sociologist Marc Augé, referring to temporary anthropological spaces—such as highways, hotels, airports, and supermarkets. It is used here, it seems, to point out the temporary nature of the exhibition space. It would appear that any medium of art could be included under such a theme, and that any kind of impermanent exhibition space could be the venue. This makes the experience of attending Shenzhen’s Third Independent Animation Biennale just like attending any large scale new-media art exhibition. What’s more, the information covered by the English title, “Time based / Non-places” is not held up in the title in Chinese. The Chinese title’s brevity seems to act as sheer barometer for the erudition of its reader.
More information at: http://www.randian-online.com/np_blog/the-3rd-shenzhen-independent-animation-biennale-time-based-non-places/?utm_source=Ran+Dian+newsletter&utm_campaign=2fb0bdec5f-2017-0113-editorial-newsletter&utm_medium=email&utm_term=0_7ad1d28775-2fb0bdec5f-297222646