An international open call for artists engaged with digital technology.
Open to emerging and established artists working with technology and digital media, the competition offers a prize fund of $10,500, plus shortlisted and winning artists will have their works included in Lumen’s annual programme of exhibitions and events around the world. Now in its 6th year, The Lumen Prize has already awarded over $40,000 in prize money and has staged over 30 exhibitions worldwide, in cities including London, New York, Shanghai, Amsterdam and Athens.
The 2017 prizes are:
- Gold Award ($3000)
- Moving Image ($1000)
- Still Image ($1000)
- AR/VR ($1000)
- 3D/Sculpture ($1000)
- Interactive ($1000)
- Web-based ($1000)
- Founder’s Award ($750)
- Meural Student Prize ($500)
- People’s Choice Award ($250)
C2 (North Area, Shenzhen OCT-LOFT, Nanshan District), Dec 2, 2016–Mar 2, 2017
The Third Independent Animation Biennale opened on December 12, 2016 at C2 in Shenzhen’s OCT-LOFT. Compared with the scale of a typical biennale, this independent animation biennale comes across as a little small. In order to make the exhibition look the part, the curator has delineated six areas—for showing art, for lectures, for community activities, and so on—in an attempt to show diversity and distinguish this exhibition from the workings of a regular group exhibition. But over an exhibition period spanning several months, only the “Spatial Animation” component of the biennale, showing in C2, is open to the viewing public of the surrounding neighborhood. “Special screenings” and “Animations and Concerts” take place a ten-minute car ride away from OCT station at Artron Art Center; a “recommended screening” providing a platform for “post-90’s” artists will be shown only at the closing of the exhibition on March 2, 2017 (hastily arriving, hastily departing). As for the “GIF Online Project”, audience members must log onto the internet themselves to view it (the experience is not ideal, as the page loads too slowly). All of this leads to ready disappointment; after viewing the twelve works in C2, one feels there is something lacking, searching in vain for some sign in a corner that would read “more this way.”
The theme of the exhibition is “Time Based / Non-places”. “Time Based” comes from an expression used by many Western art museums today to describe video, film, slides, sound, and other contemporary works of art possessing a “time-based” dimension. This feature manifests itself across the variety of works exhibited. Meanwhile, “non-places” is a term coming from French sociologist Marc Augé, referring to temporary anthropological spaces—such as highways, hotels, airports, and supermarkets. It is used here, it seems, to point out the temporary nature of the exhibition space. It would appear that any medium of art could be included under such a theme, and that any kind of impermanent exhibition space could be the venue. This makes the experience of attending Shenzhen’s Third Independent Animation Biennale just like attending any large scale new-media art exhibition. What’s more, the information covered by the English title, “Time based / Non-places” is not held up in the title in Chinese. The Chinese title’s brevity seems to act as sheer barometer for the erudition of its reader.
More information at: http://www.randian-online.com/np_blog/the-3rd-shenzhen-independent-animation-biennale-time-based-non-places/?utm_source=Ran+Dian+newsletter&utm_campaign=2fb0bdec5f-2017-0113-editorial-newsletter&utm_medium=email&utm_term=0_7ad1d28775-2fb0bdec5f-297222646
Confluence’16 exhibition will be held from December 16th till December 22nd 2016 at All India Fine Arts & Crafts Society, 1, Rafi Marg, New Delhi (India).
The contest is open to all artists (students, amateurs & professionals) from all over the world without any limit of age & nationality.
Confluence ’16 is an absolute place for emerging as well as established artists to participate in the focused, engaged and informed art sector.
Confluence ’16 offers a space for Artists from around the world to compete against each other and showcase their creative talent. You’re competing against the most talented Artists from across the world and you’ll get a chance to showcase your artwork to Art Patrons.
Confluence ’16 perpetuates earlier editions of Confluence. As we have known that earlier editions of Confluence acted as a catalyst for the recent development of artistic and cultural landscape and strengthened the potential of India as an international art hub. In its earlier editions, the show focused on the significance of exhibiting a variety of works in a pluralistic art world. Confluence ’16 foresees combining art with international trends and thoughts, highlighting national interest with a global concern.
Enter the summer olympics of art and design.
We’re looking for the best art, advertising, design, illustration and photography done in the past six months. Professional or student. Judged by an editorial staff of award-winning graphic designers, a former judge for Communication Arts annual and represented in The Graphic Eye: Photographs by Graphic Designers from around the Globe, a judge for the Society of Illustrators, Print Regional Design Annual and regional and national advertising and design competitions. Recently named one of the top 100 art and design publications in the world, Creative Quarterly accepts professional and student entries from all parts of the globe.
Categories include advertising, graphic design, photography, illustration and fine art. Entry fees for Professionals are $30 per single entry, $55 per series—3 to 5 images for all published work, $20/$45; for recent graduates (from the last three years), $15/$45 and for current undergraduates or post graduate students, $10 per single entry, $20 for a series.
Winners will appear in the Winter issue of Creative Quarterly and be exhibited in our online gallery. Winners will also be entered in our year-end juried competitions where we’ll select the top 100 pieces for 2016.
Be a sport, put this event on your calendar.